Tag Archives: writing


My second book, Homesick, will be published by Quercus in July 2019.


I’m a little scared. It’s personal and very close to home. It’s about home. I will have more news soon.

It’s been a very long, very hard slog, but I’m proud of the outcome. I’m also really looking forward to new projects.

I’m going to be updating my website and sharing monthly mixes, unreleased songs and assorted stories. So stay tuned.

Life is short, and sharing is important.

I hope you’re all very well. We need our combined strength to stare unflinchingly at what is happening to our world and fight to save the things we love.



Rejection is scary. I feel like I’ve swallowed a boulder. The boulder has lodged itself in my chest. It is pressing on my heart. My heart is responsible for pumping blood around my body. My heart is having to beat faster to get the blood to flow around the boulder that is lodged in my chest. My heart hurts. This is what fear feels like. The fear is coming from words: no, no, no, no, no. The words were typed by humans and then translated by computers into ones and noughts. The ones and noughts were fired at great speed through optic fibre cables buried deep underground. When the ones and noughts surfaced they were translated back into words. The words were placed in a virtual file. When the file was ready a noise was emitted. My ears heard the noise. I tapped a small rectangular device made of various precious metals until I could read the words. No, no, no, no, no. It’s a shame, writes my agent. I feel her disappointment. Let’s evaluate and try again.

It’s a shame indeed. Toe-curling, skin-shrinking shame. I try to focus on the physical sensations. They are not unfamiliar. I trace them backwards in time. I follow them back to the wet field where I sank to my knees, overcome with grief because He had met somebody else. He had picked me up and carried me for a while. Then he discovered I was broken inside and he dumped me. She was thin, young, beautiful, whole. I nearly threw my heart up with weeping. No, no, no, no, no. You are not good enough. You do not deserve. You are not allowed in. No, no, no, no, no.

I picture my new shiny agent at her desk, her hand over her mouth, rueing the mistake she has made. I’m a loser. I will spend the rest of my life in abject poverty, sleeping on the street, eating out of bins. I will be forced to retrain as a librarian. I will wear brown calf-length skirts and keep elderly cats and drink five bottles of gin every night.

There is a reason why rejection feels like death. It piggybacks on the neural pathways associated with actual physical pain. Back in the days of the apes, when we literally wouldn’t survive if we were banished from the tribe, the pain of rejection was a valuable corrective tool. The good news is that those who felt the pain of rejection most acutely were the ones most likely to adjust their behaviour and stay alive. The bad news is that the tribe has expanded to include everyone connected by ones and noughts and underground cables made of optic fibres. The potential for experiencing the pain of rejection is no longer limited by distance, or the number of people we actually know. Social media platforms ruthlessly exploit our need to belong and our fear of being excluded. Advertisers go out of their way to target our insecurities, our sense of being left out and left behind. We are bombarded with information about all the fabulous things the slick and succesful members of our tribe are getting up to while we’re wandering lost and lonely in the desert, wearing shoes that are falling apart.

I call a friend, an outwardly-succesful, award-winning writer whom I admire greatly, not just for the books she’s written, which are wonderful, but for the effort she makes to live life fully, however much grief this costs her. She tells me stories of the rejections she has handled. They make me gasp in horror. She tells me they can’t force me to be a librarian. It’s not up to them to decide who I am, she says. I don’t need anybody’s permission to get on with my work. AlI I need is a piece of paper and a pencil. I force myself to call my new and shiny agent. It’s not personal, she says. It’s the market. It’s normal.

I do not feel normal. I feel like I’ve swallowed a boulder and now I’m trying to hack it up with a piece of paper and a pencil.

I shouldn’t be writing this. I should be on Instagram, papering over the cracks with ones and noughts and hashtags. I should be refining an image of myself as one of the slick and succesful people that have never been rejected. But I want you to know it’s an illusion. I’m not one of those people. Those people don’t exist, and the sad thing is that we exclude ourselves from the comfort of genuine human interaction every time we believe in them. They are not personal. They are the market. The market is not normal.

Onwards, says my new and shiny agent.

Reaching Out

reaching out, oak trees, living in the woods,

It’s been ages.

I’ve been bumping along on the bottom, hitting rocks and curling up into a ball like a beetle, afraid of getting stamped on. I’ve been a cold day in November. I’ve been leaves falling like snow. I’ve been an angry crow. I’ve been living in the woods, making friends with trees.

The woods are good for me right now. I’ve got no energy for pretending to be normal. My stories are too fractured for facebook. The ground beneath my feet is slipping. I don’t know where I stand. I think some of this is good.

Some of you will know that I had a lot of precious things stolen from my shed last April. Many of you donated money to help me replace them. I am typing this on a second-hand laptop that you bought. I thank you all from the bottom of my heart. You didn’t just buy this laptop (and many other things essential to my life and work). You proved (in the nick of time) that humans are as kind as they are selfish and as generous as they are mean. I had insurance, after all. It was called friends. Rock bottom is lost and lonely and paranoid, and friends are the antidote.

Some of you will know that I exorcised some of my rage and frustration and sadness in various Spanish mountain ranges. This was humbling in a different way: enlightening, terrifying, exhausting. It was a real adventure, and one day I will tell you all about it. For now, though, I am concerned with survival. Reaching out to catch those falling leaves, lighting fires, oscillating madly between hope and despair. Living on turnips and scrumped apples, cracking jokes and waiting five years to see if anyone laughs (otherwise known as trying to make a living as an author).

I am thirty-nine on Monday. Getting older seems to be the systematic dismantling of all beliefs and expectations. But in the space where beliefs and expectations used to be there is new knowledge, mostly gathered from silence and the non-human world: a constant thorough understanding of impermanence, the fact that oak trees can live for a thousand years (and many do), the mystery of mycelium, squirrels.

‘For there is nothing in creation that does not have some radiance’ wrote a twelfth century German abbess called Hildegard.

And that’s the truth.

I have a piece in the Winter 2017 edition of The Stinging Fly magazine.

Dispatches on Survival and Resistance

books john berger barbara kingsolver gary snyder martin shaw trump reading writing annie dillard anxietyDispatches on Survival and Resistance

Information has been weaponised and is being used against us by those who stand to gain from mass confusion. The question is, how are we going to defend ourselves?

Imagine truth has been deliberately buried under a great pile of rubble by a group of people so distracted by greed they are willing to sacrifice the viability of life on earth for the sake of a few extra golf clubs on the (rapidly disappearing) Florida coast.

The rubble is made of tabloid propaganda, fake news, misinformation, half-truths, spin doctors, Nigel Farage, Boris Johnson, Vladimir Putin, Katie Hopkins, most of the internet. The pile of rubble is as vast as a mountain range. Navigating a path through the rubble without falling off the mountain is one of the great challenges of our time.

T S Eliot famously wrote that ‘Humankind cannot bear too much reality‘. This is presumably why the Daily Mail is so popular. It’s also where drugs come in. But now is no time for getting wasted. Our overheating, war-torn planet needs us. It is us. As the late, great John Berger wrote: ‘Reality is all we have to love. There’s nothing else.’

The only information that can’t be weaponised and used against us is the truth that comes from direct personal experience. Digging for truth among the rubble of lies can be a lonely business. This is where books come in.

Books cut through the loneliness. Books take no notice of time, distance or borders, even the ones that exist between life and death. As the author Johnathan Safran Foer wrote in a recent article for The Guardian ‘A book is the opposite of Facebook.’

If virtual reality is a space owned and managed by mass-murdering corporations, who act as gatekeepers and tax collectors, books represent the open-access land of the imagination. You can pitch a tent anywhere in literature and make it yours. There is no ongoing subscription, no data handed over and sold behind your back, no passwords, nuisance emails and expensive updates, no space for advertising. No up-to-the-minute technology, at eye-watering prices. Just some old trees sliced into pages to make a container for a story, or a poem, or an essay.

I have a friend who is younger than me. She gets anxious. It’s one of the reasons I like her. Frankly, if you’re not anxious right now then you’re not paying attention. Late one night we were drinking gin and talking about anxiety and I was rambling on about books and how they help me and my friend asked me to write a list of books I thought might help her.

The following five books constitute the first installment of this list. They are all books of essays. Essays, being short and full of arguments, are a good way back into reading if you’ve re-wired your brain for the benefit of mass-murdering corporations. Think of these essays as ammunition. Use them when the gin wears off and the money runs out and you find yourself embroiled in a difficult chat with someone who thinks the Daily Mail is a newspaper. Use them for love, comfort, truth and solidarity.

1 / Teaching a Stone to Talk by Annie Dillard (Harper Perennial, first published 1982)

This small book deals with all sorts of big subjects, from polar exploration to weasels (‘We are here on the planet only once, and might as well get a feel for the place’) but the subjects don’t matter. Annie Dillard could write about the inside of my filing cabinet and it would be spellbinding, for ‘We are down here in time, where beauty grows.’

Annie Dillard is the reason I hardly ever publish anything on this blog. I have her words taped to my desk: ‘What would you begin writing if you knew you would die soon? What could you say to a dying person that would not enrage by its triviality?’

Not much, as it goes.

2 / The Practice of the Wild by Gary Snyder (Counterpoint, first published 1990)

This was my bible when I was alone and terrified in the High Pyrenees. I read these essays – on walking, language, wilderness, change – over and over again, lying in my tent while thunderstorms crashed around the mountains. Gary Snyder became my excuse for being lost: ‘There are paths that can be followed and there are paths that cannot. It is not a path. It is the wilderness.’

Gary Snyder was the inspiration for Japhy Ryder in Kerouac’s The Dharma Bums. While the rest of the Beat Generation mostly drank themselves to death, Snyder dedicated his life to thinking, writing and ‘constantly walking.’

It was Snyder who wrote that ‘In western civilisation our elders are books’.

This book is one of my elders.

3 / Small Wonder by Barbara Kingsolver (Faber, first published 2002)

The title ‘Small Wonder’ refers to the sad inevitability of the attack on the twin towers in the context of American foreign policy, and to the miracle of life and all the small wonders of nature (which we are in the process of destroying).

Barbara Kingsolver’s novels achieve a rare thing, balancing story and polemic, taking difficult subjects (McCarthysim, the execution of Trotsky, the assassination of Patrice Lumumba, climate change) and turning them into fat novels you can’t put down. Her standing within the literary world and politics is such that she was invited to lunch with Obama shortly after Trump’s inauguration.

In this book of essays she reminds us to keep digging for truth, precisely because the mass-murdering nature-bashing corporations would rather we gave ourselves up to confusion: ‘What is new is that we know so much about the world, or at least the part of it that is most picturesquely exploding on any given day, that we’re left with a desperate sense that all of it is exploding, all the time. As far as I can tell, that is the intent and purpose of television news. We see so much, understand so little, and are simultaneously told so much about What We Think, as a populace polled minute by minute, that it begins to feel like an extraneous effort to listen at all to our hearts.’

But we must, and reading Barbara Kingsolver helps.

I wish she was my granny.

4 / Hold Everything Dear: Dispatches on Survival and Resistance, by John Berger (Verso, first published 2007)

If I had to pick a favourite out of all the hundreds of writers I love, it would be John Berger. I love his sparse and painterly style. I love his courage and sense of adventure. I love his unflinching gaze. I love his endless optimism: ‘The multitudes have answers to questions which have not been posed, and they have the capacity to outlive the walls.’

This is a book about despair in the age of Iraq and George W Bush: ‘HOW MUCH LONGER GLOBAL POWER IN D NUMB HAND OF DOSE WHO KNOW NUTHIN?’

But it’s also a guidebook for survival, articulating the questions we’re all asking, in our various  languages, with ever-increasing urgency: ‘People everywhere – under very different conditions – are asking themselves – where are we? The question is historical not geographical. What are we living through? Where are we being taken? What have we lost? How to continue without a plausible vision for the future?’

He shows us what resistance looks like, and what giving in looks like: ‘Nihilism is resignation before the contention that Price is all. It is the most current form of human cowardice.’

John Berger died on 2nd January, 2017. His last words were published in a small book of ‘notes’ called Confabulations: ‘We will learn how to wait in solidarity. Just as we will continue indefinitely to praise, to swear and to curse in every language we know.’

5 / A Branch from the Lightning Tree by Martin Shaw (White Cloud Press, first published 2011)

Martin Shaw is a mythologist, and this is not so much a book of essays as an introduction to myth and how we need it in our lives. It was written after Shaw spent four years living in a tent on the side of a mountain in Snowdonia; it’s for anyone who gets anxious wandering the barren desert of work-sleep-telly-buy-consume, everyone who yearns for something different: ‘If you don’t want to be Crazy Horse, Boudicca, or Pablo Neruda, stop reading now. It’s probably best we nip this relationship in the bud. This is a book about teasing out the mischievous, solitude-loving, flamboyant, sorcerous, arms-extended-into-the-inky-blackness singing songs of the lost-highwayman aspect of your nature.’

I loved the stories: ‘After more treacherous journeying, Anga came to a towering mountain, so high your eyes would strain and go blind if you tried to see the top of it.’

I loved the commentaries: ‘One hit of DMT will blow the castle doors open in seconds and precipitate a chemically engineered free-fall into a Persian garden. As we congratulate ourselves on having plunged straight into Ceridwen’s cauldron, we would do well to remember our fathers turning to the whiskey cabinet and gazing at sunsets through the castle gates.’

It gave me a new way of looking at old problems: ‘Another larger interpretation is that the planet itself may be trying to awaken us from the thing that Eats and Consumes All. In this case the listener by the door is a tsunami, a flooded New Orleans – something that in the cold light of day says, “For Christ’s sake; don’t you hear the sobbing of your beloved?”

In 2016 I was lucky enough to have the chance to hear Martin Shaw tell a story and talk about his work. Times are dark and troubled, he said. And when times are dark and troubled there’s only one thing to do: make beauty.

And if you’re wondering what I’ve been making, search for Andy Mac on NTS radio, play the mix and wait for the owls.



Thanks to an award from the Society of Authors worth six months of gardening, I am donating most of my present moments to writing about the shed and other shed-related issues; ecological obliteration, the housing crisis, stars.

I’ve been animal sitting among snow-covered mountains on a remote hillock topped with a few dozen tall and bendy Scots pines. The pines shield me from the worst of the weather and harbor owls and kites. There’s a windmill and a hammock and horses to ride.

I was sitting by the stove, feeling the ache of time passing and cuddling the kitten, when this poem arrived:


Screen shot 2015-01-26 at 11.35.17


Next up on my monkish writing trail is another house, and after that a wooden gazebo in the woods, but on both sides of the house and the gazebo is a stint at the meditation centre.

A few people have mentioned recently that they think meditation is self-indulgent. I have wondered if they were right. But last night I watched the startlingly good BBC film Bitter Lake and I knew they were wrong. As Schumacher wrote, way back before most of the things in the film had even happened:

‘Where can one find the strength to go on working against such obviously appalling odds? What’s more: where can one find the strength to overcome the violence of greed, hate and lust within oneself?’

Some other people have said that they think meditation is boring. I get that. I have also been conditioned by Twitter to have the attention span of a goldfish. All the more reason to meditate. Sit down. Shut up. Stop buying stuff. Reverse the awfulness of Bitter Lake.

Plus, I increasingly consider boredom a failure of my own mind. As Geoff Dyer puts it:

‘Often when you’re bored, it’s that friction between you and time.’

The older I get, the more I want to learn to live in time. The more we run away from time the more time runs away from us, but moments fully embraced seem to stretch time. As Nadine Stair wrote in another poem, when she was 85:

Oh, I have had my moments
  And if I had it to do over again, I'd have more of them.
        In fact, I'd try to have nothing else. 
	   Just moments,one after another.
      Instead of living so many years ahead each day.

Poems, like kittens, only appear when we’re sitting quietly doing nothing. Violence, on the other hand, requires blind and furious action.

Bookshelf #1 Gabriel Garcia Marquez

I love books about as much as I love anything. That’s why I wrote one. It’s also why I have decided to share my love of particular books and their authors with a special “bookshelf” post each month. I won’t be attempting exhaustive critiques. I will simply be sharing my personal connections, inspirations and loves. I’m kicking off with Gabriel Garcia Marquez, who died last Thursday, aged 87.


The first Gabriel Garcia Marquez book I ever read was not a masterwork of magical realism, or a profound meditation on the human capacity for romantic love (these would come later) but a slim and little-known travel book called Clandestine in Chile.

This hundred-page paperback tells the true story of Miguel Littin, a Chilean film director who was exiled after the 1973 military coup and then returned in disguise, risking everything to “bring the world a truer picture of life under Pinochet.” Littin told his story to Marquez, who re-told it in the first person, using eighteen hours of taped interviews.

The blurb on the back of my well-travelled copy provides hard evidence of the truth in it:

“On 28 November 1986, in Valparaiso, the Chilean authorities impounded and burned 15 000 copies of this book.”

When I visited Valparaiso myself, twenty years after Littin’s clandestine journey and thirty years after the coup, the foreign city was delivered to me full of meaning. Thanks to Marquez, I had already been there in my imagination. Thanks to the fact of my humanity, my imagination is every bit as real as my reality.

When I later came to read Love in the Time of Cholera I found even more truth, and it was a truth that felt heightened, rather than diminished, by the quantities of magic in it.

The older I get, the more complicated the relationship between reality, imagination and truth seems to become. Reality is so subjective – having to be funnelled first through our senses and then through our various languages – that I can’t help suspecting that there is no such thing. Truth, on the other hand, is everywhere. We feel it, see it, imagine it and know it – even when we can’t talk about it. Which is where stories come in, and why great storytellers like Gabriel Garcia Marquez are mourned with nothing less than the heartfelt love of perfect strangers.

It is through stories – film, television, books – that we get to share our actual experience of truth (as opposed to reality as presented by various news media) and therefore feel less alone.

Gabriel Garcia Marquez made me feel less alone when I was sitting on the concrete floor of a South American bus station and navigating a tidal wave of sadness associated with my latest break-up. I was reassured to learn “that the heart’s memory eliminates the bad and magnifies the good, and that thanks to this artifice we manage to endure the burden of the past.”

I felt less alone after finally meeting Jose Arcadio Buendia, the protagonist of One Hundred Years of Solitude, an inventor whose magic-inspired inventions lead him further and further from his ordinary life, into all kinds of chaos, and yet “even those convinced of his madness left work and family to follow him.”

Perhaps one of the side effects of progress in science and technology, of staking everything on the illusion of empiricism, is forgetting the value of magic. Another ancient woodland is cut down to make room for a motorway service station. We are left staring into “the abyss of disenchantment.”

But perhaps good stories can rescue us, helping us to understand that we do not understand. Putting us in our place.

“The first of the line is tied to a tree and the last is being eaten by the ants.”

I read One Hundred Years of Solitude this year, one border crossing from Colombia, where Gabriel Garcia Marquez was born. I found it difficult at first, in the same way that strange countries can be difficult at first. There were so many characters, and they were so fantastic. They said things people don’t say, they lived according to strange rules and kept the oddest of habits, they waged unwinnable wars and their thoughts were pure poetry. It was only after I had been with these people for several hundred pages that I finally began to accept the truth of them, which was accompanied by a feeling of relief, because I was also accepting the truth of me – which is that my grip on ‘reality’ is tenuous, and it is the poetry of my imagination – my existential solitude – that makes me who I am.

As Salman Rushdie said of Marquez in a recent essay in the New York Times

“He was a dreamer who believed in the truth of dreams.”

Becky and I both read One Hundred Years of Solitude, one after the other, in various Central American jungles, while young men rode past at dawn on horseback, listening to pop music on their ipods. We both struggled with it, wrestled with it, woke each other up with the most poetic bits of it, were desperate to understand the truth of it, and eventually loved it with an inexplicable, unreasonable, tearful love.

Just like life.

To quote Salman Rushdie again;

“For such magnificence, our only possible reaction is gratitude.”

I will be singing about my book ‘The Ribbons Are For Fearlessness’ on 29th April at 6.30 in the Falmouth Bookseller.